As the New York Times puts it, Bastards of the Party is the “genealogy for the institution of the gang. This feature-length documentary “traces the origin of black American gang history, from the great migration of African-Americans from the South to northern and western industrial cities, to the rise and demise of the Black Panther Party and the Organization Us of the mid- 1960s, ultimately to the formation of the 1990s and 2000s gang culture in Los Angeles. Through the eyes of former gang member and co-producer Cle “Bone” Sloan, Bastards focuses on LA gang culture as a micro-community reflective of bad social policies all through the U.S.
We misunderstand the gangs when we assume that they have no history or purpose apart from brute violence, but we romanticize them when we imagine that they’re bands of brave vigilantes.
Clear-eyed history — shot through with archival film — begins to set the record straight. Mr. Sloan begins with a myth: that gangs like the Bloods and the Crips started in 1972, when they formed in response to a dispute over a leather jacket. That’s rubbish. The film shows that gang animosity in Los Angeles dates to the 1940s and ’50s, when the police had set up an extortion racket on Central Avenue to bilk the black music clubs.
Then Bastards points an abject finger at the role of the Los Angeles Police Department, and explores how Chief William H. Parker bolstered the ranks of the LAPD with white recruits from the south during his tenure from 1950 to 1966, who brought their racist attitudes with them into the police force and police work processes. Parker’s racist sympathies helped to lay the groundwork for the volatile relationship between the black community and the LAPD that persists today, and led to the rise of gang culture. The “bastards of the party” are gangs who are, according to Sloan, the “bastard children of” revolutionary black political movements. This is what happens, he says, in a pressure cooker of no jobs, no social safety net, and a militarized police presence, and when the hopes of the prior generation turn into the resentments of the present. He ultimately lays responsibility for the allure of LA gang life at the feet of law enforcement and their complicity with and promotion of generations of racist policy.
This is an intensely political documentary that would be appropriate for all audiences interested in social justice, urban American politics, solutions to poverty, maladaptive youth cultures, discussions of gang violence, underground economies, Black American history, and Los Angeles history.